Before he recorded his own debut, Johnny A. spent seven years as the guitarist and musical director for the J.Geil's Band's Peter Wolf. Sometime Tuesday Morning, though, doesn't contain a trace of the experience, and that alone is impressive. You know you're hearing a trailblazer when all twelve carefully constructed instrumentals radiate emotion at every turn. Johnny A. is simply that good. In the company of just a bassist and drummer, he makes his guitar sing in a thousand dialects; a vocalist would be a distraction. On the toe tapping "Oh Yeah," his notes imitate the snapping and stretching of a rubber band. An ingenious reading of Jimmie Webb's "Wichita Lineman" brings to mind dusk at a stretch of desolate tracks. "Lullabye for Nicole" is after-hours jazz that initially soothes, but damn near turns sinister towards the end. He molded Willie Cobbs' "You Don't Love Me" into a bouncing ball of funk with attitude, and created "Up in the Attic" as a platter of Dixie fried chicken pickin'-definitely Dregs inspired. Drawn from a variety of genres and uncommon talent and vision, Sometime Tuesday Morning, has infinite style all it's own.
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